1121 is reminiscent of Signorina Eleganza by Salvatore Ferragamo.
The fragrance opens with fresh, fruity accords of pear (my favorite note) and a hint of grapefruit, but it quickly evolves into a soft, sophisticated, and luxurious scent. Thanks to the almond and osmanthus, it takes on a silky, powdery quality, while a base of leather and patchouli adds depth and gravitas. It embodies "quiet luxury," with a sillage that is perfectly understated and appropriate for any setting.
1126 is similar to Maison Martin Margiela’s Chasing Sunsets.
A fantastic fragrance! It features juicy mango—or, more precisely, mango skin. There’s a hint of "green" notes, and—thankfully, for me—no trace of the tuberose listed in the scent pyramid. No harsh "amber-woods" (ADs) either. It’s a persistent mango scent set against a sandalwood base that lasts throughout the wear. On me, it stays for half a day. The sillage is light and unobtrusive, yet steady. Perfect for spring and summer!
1127 is similar to Lucid Dream by Emil Elise.
The fragrance itself is very pleasant—vanilla, powder, and coconut. It’s well-composed, with no jarring notes, and has a feminine quality.
To my mind, it’s perfect for cold weather. That said, I don’t think it would feel heavy or suffocating in warmer weather, either.
1128 is similar to Phlur’s Cherry Stem.
After a mysterious opening, the fragrance settles into something more approachable—a tart cherry compote. The tartness comes not just from the cherries, but also from orange.
About an hour later, it gets even better: the scent smooths out, and all the notes fall perfectly into place.
You can detect the cherry pit and a velvety texture; the plum likely contributes a sense of languor and richness. There’s a fleeting hint of alcohol. In the base, there’s ebony wood paired with that deep, syrupy cherry-pit note. It has great projection! It’s a fun, cheerful take on cherry - perfect for the right mood.
